Saturday, May 28, 2022

“Turning Off The Morning News” At OnStage Should Make You Squirm in Your Seats.


 While writing “Turning Off The Morning News” playwright Christopher Durang (“Beyond Therapy”, “Sister Mary Ignatius Explains It All For You”), explains, in a series of notes at the end of his script: “I wanted the play the be unusual, comic, upsetting, serious, and I wanted to make the ending somewhat hopeful.” Let’s just say he achieved all of the above and then some. 

Some years before “Turning Off The Morning News” in 2018 Durang’s “Vanya and Sonia and Masha and Spike” was the talk of the theatre, picking up a Tony, a Drama Desk Award, and New York Drama Crirics’ Circle Award. It was one of the most produced plays during the 2014- 15 season having played here in San Diego at the Old Globe in 2014. Will the same happen with “Turning Off The Morning News? ” That remains to be seen.

Eddy Lukovic, Salomon Maya, Carla Navarro, Ray-Anna Young and Jaden Juerro as Timmy

As it happens executive director of OnStage, James Darvas toiled over whether or not to produce this play; it was so far off the tracks, and too much had happened in our world between the time he read the play and decided to produce it that it might be too absurd in the face of reality to resonate anything but sick!

In the time span of three weeks, one school shooting of 19 children in Uvalde, TX, and a week before another mass murder in Buffalo, New York aimed at mostly African Americans shocked this country to its core. Darvas said that projection manager, Salomón Maya ‘had to update his work three times in the last three weeks to keep the content as current as possible. The show opens with a series of projections on a TV blurting out the killings.

Heather Warren and Carla Navarro

Durang’s cast of characters staged adeptly by director Adam Parker include Jimmy (Salomon Maya) a middle aged depressed suburbanite who has thoughts of committing mass murder at the mall and then turning the gun on himself. Or maybe he’ll write a book. This is a reoccurring theme for Jimmy. If he’s not threatening to kill in the Mall, then he threatens to kill his wife and son and then turn the gun on himself. 

His wife Polly (Carla Navarro), thinks everyone is wonderful and knows what her husband is about, but her thoughts are more concernd for her precious potted plant than her husband’s mental health. Jimmy has not spoken to his wife in three weeks. Probably because he can’t get a word in edgewise.  She talks too much because she finds life overwhelming.

Yes, mental health does rear its head. Thank goodness at least that’s acknowledged. (If nothing else, mental illness is at the core of this play.) They have a son Timmy (Jaden Guerrero) who shares a note with the audience, to HELP ME! He’s shy, and not very popular at school. Polly decides to home school him by giving him an assignment to review ‘The View ‘on TV.

Across the street neighbors Clifford and Salena (Eddie Lukovic and Ray-Anna Young) are sharing a house, as friends. He’s white and she, African American, And yes, race figures into the mix as well. He relaxes by doing some form of meditation listening to Frank Sinatra and Rosemary Clooney. (remember her?)

Clifford’s wife and child were killed by a drunken driver and Selena is recently divorced. They can’t help notice the strangeness of their across the street neighbors. The first clue they get about ‘something rotten’ across the street, is seeing Timmy leave the house wearing a pig mask carrying a large trash bag and a gun strapped over his shoulder.  

Jaden Guerrero and Carla Navarro

Rounding out the cast is Rosalind (Heather Warren, a bit off the wall). Rosalind wears a pillowcase over her head to prevent the sun from causing any damage to her face. She has already had twenty four basal cells removed from her face. 

Bazar? Scathing? Satirical? Cutting? Cartoonish? Painful? Toxic? Shocking? Unnerving? Caustic? Yes to all of the above! But funny? Not so much. Unfortunately, the characters in this recent play are acting out what, in reality, is happening on the streets, in churches, grocery stores and synagogues. The gun culture is taking over any sound thinking. One of the most bazar interpretations of the Second Amendment this country covets is the right to bear arms. 

Salomon Maya

Durang just has his own way of getting to the point. Even the clips of the morning news at the opening of the play are interrupted several times because these crimes are happening so fast the news can barely keep up. And rather than trusting the audience to laugh, there is a laugh track that kicks in every now and then. 

Scenic Designer Kristen Flores almost bare bones set can be rearranged easily but making sure the ‘plant’ has its own space. Brad Dubious costumes fit the characters well. Dylan Carter designed the lighting and Estefanía Ricalde sound design was a bit too loud for yours truly. 

OnStage has taken on a big challenge with Durang’s recent play. To come see it or not is the question. While bazar, it does deal with the casualties of a broken political system in denial of its treatment of gun laws, mental health issues, racial prejudice and a bevy of issues that no one seems to address because we have short memories and the morning news, which we should turn off, kind of sets the mood for the day.

The one thing Durang did promise and we got was some glimmer of hope in the final scenes. At least he tried. 

Congrats to OnStage Playhouse for taking on this challenging project.


See you at the theatre.  


Dates: Through June 19th

Organization: OnStage Playhouse 

Phone: 619.422.7787

Production Type: Black Comedy

Where: 291 Third Ave., Chula Vista

Ticket Prices: $22. To $25.00

Web: onstageplayhouse.org

Photo: Daren Scott


Saturday, April 30, 2022

They Danced All Night in Bob Fosse's "Dancin'" at The Old Globe


 If it’s dancing you want just hop down to the Old Globe Theatre in Balboa Park and get your tickets to the Broadway Bound “Bob Fosse’s Dancin’’. It’s stopping here on its way to New York where, my guess is the audiences will go as gaga over it as they did on opening night here where a talented, no…super talented company of nimble, double jointed and precisely timed dancers with enough endurance to perform for at least two + hours of dancing from tap to modern ballet is on tap through May 29th.

According to Fosse, “I have no interest wasting my time or energy doing traditional musicals. I like fooling with new forms, seeing what rules I can break if I push a little harder in different directions. (1978). Of course, he did do many traditional musicals, but this was his thinking for “Dancin’.

(from left) Nando Morland, Khori Michelle Petinaud, Ron Todorwoski, Ioana Alfonso, Kolton Krouse, Mattie Love, Jōvan Dansberry, Manuel Herrera, and Ida Saki.

This is not Fosse’s first rodeo. “Dancin’” first premiered on Broadway in 1978 and closed on June 27th in 1982 after 1744 performances. Additional choreography by Christopher Chadman was added. It’s strictly a musical show. There is no story even though I kept looking for one. But what do I know, it won a Tony for Best direction of a Musical; a Drama Desk Award for Outstanding Choreography (Bob Fosse). In all, Fosse picked up nine Tony’s for his choreography in “Chicago”, “Sweet Charity”, “Pippin”, “Liza with a Z” and “Cabaret” to name a few. 

Kolton Krouse (from left), Ida Saki, Khori Michelle Petinaud, Jacob Guzman, and Yani Marin in “Bob Fosse’s Dancin’”. 

The production at the Old Globe is the first ever revival of the 1978 show. It is directed with musical staging by Wayne Cilento. The reproduction of Fosse’s choreography is by Christine Colby Jacques.  According to Fosse ‘the entire company is made up of principal dancers’, all twenty or so of them.  For the most part the principals have performed in several Broadway shows. They include among others: Manuel Herrera, Yeman Brown, Ioana Alfonso, Jacob Guzman, Karli Dinardo,  Yani Marin, Kolton Krouse, Mattie Love Ron Todorowski, Ashley Blair Fitzgerald and Jovan Dansberry. 

Manuel Herrera offers a prologue where he tells us in no uncertain terms that ‘there is no story’, no props, or themes, so just believe. From there we snap into “Crunchy Granola Suite”  from Neil Diamond as part of Fosse’s 1978 Broadway revue “Dancin’” by the company and then roll right into my all -time favorite “Mr. Bojangles (Yeman Brown, Jacob Guzman and Manuel Herrra) from “Recollections of An Old Dancer”. 

Jacob Guzman

The music under the musical direction of Darryl Archibald is about eclectic as one can get including a long stint of jazz and a few from some of Fosse’s musical hits, “Big Spender”, (“Sweet Charity”) “Let Me Entertain You” (Gypsy”) and “Life Is Just a Bowl of Cherries”, (An old, 1931, favorite), an American segment in Act 2, “When Johnny Comes Marching Home Again” and “Stars and Stripes Forever”. 

There is so much to see that my describing it doesn’t do the show justice. It’s one of those seeing is believing phenomenon, do trust. There is no story line per say, as mentioned above but there are, in some of the dance numbers suggestions of  injustice of a history past and a future not yet ready to accept full responsibility.

Jovan Dansberry

However, there is more to flying through the air in this flashy production than “All That Jazz” on the dance floor. Robert Brill’s industrialized floor to ceiling mega set is pretty overwhelming. The performers are up and down and swinging through bars and metal steps. Finn Ross’ video design is the best I’ve seen with projections (a 30 foot high wall) filling the entire stage and lit by David Grill in breathtaking colors. Reid Bartelme and Harriet Jung’s costume design are some of the best seen, with Peter Hylenski’s sound, though loud, is effective. 

While I hesitate to call the show overtly provocative, sexy and seductive (a nice way to say filled with sexual innuendos) it has lots of groin grinding, and raunchy implications. I’m no prude and I’m not suggesting that it should be rated but I wouldn’t recommend it for say, pre- teens. 

Jacob Guzman, Ron Todorowski, Karli Dinardo, and Peter Chursin 

From jazz to tap to ballet to marches to a four part solo percussion starring Ron Todorowski, the Fosse show is a dancer’s paradise and a dreamer’s fantasy.

Enjoy. 

When: Through May 29. 7 p.m. Tuesdays and Wednesdays. 8 p.m. Thursdays and Fridays. 2 and 8 p.m. Saturdays. 2 and 7 p.m. Sundays

Where: Old Globe Theatre, 1313 Old Globe Way, Balboa Park, San Diego

Tickets: $52 and up

Photo: Julieta Cervantes

Phone: (619) 234-5623

Online: theoldglobe.org

COVID protocol: Proof of vaccine is no longer required, masks strongly recommended indoors but not required.