Tuesday, December 6, 2016

InnerMission’s “Seven Spots on The Sun” takes no prisoners.

To the victor, go the spoils.

Ah! But the spoils.

Nothing good here.

No cushy political appointments. No money. No land.

Benefits? None!

Glory? Not so much!

Grief? Enough to go around in Zimmerman’s nameless South American location where the ravages of war have left the town, its people and two couples in complete and devastating ruin.

Martín Zimmerman’s bold and highly disturbing in your face  “Seven Spots on the Sun” is now in an excellent staging at InnerMission Productions. It’s all done under the watchful eye of Carla Nell one of the artistic directors at the tiny blackbox (29 or so seats) space in back of the larger Diversionary Theatre. So Shhhh when you pass by the side of the theatre.

“I quickly make up for eighteen months without radio, eighteen months of daily battle with my darkest thoughts. I dance to shake the pain out of every limb to sweat and sweat, till you’ve purged the war from every pore…” The radio. The voice in the radio is announcing the end of the war and amnesty, pardon, absolution to all who committed autocracies during the fighting. 


Bernardo Mazon and Jennifer Paredes
Not so fast my friends. War can be an elixir to some. It’s a way out of a boring, oft times dangerous job. It can be a travel agency for some, taking soldiers to places they never before though of. It can give them a lucrative pension after a short stint fighting. At least that’s what Luis (Bernardo Mazón) thought.

He was tired of working in the mines, making little to nothing for his wife Monica (Jennifer Paredes) and any family they might want in the future.  So, with an advance for enlisting, he bought her a washing machine (so she wouldn’t have to use a scrubbing board to wash the clothes) and off he went. In the beginning was all-good. Time away from each other intensified their sex life. 


Sandra Ruiz and Jorge Rodrigues
In another town close by Moises (Jorge Rodriguez) and his adoring wife Belen (Sandra Ruiz), who is a nurse run the small medical clinic where drugs were getting harder and harder to come by. The clinic doors have been locked since Belen was dragged away by one of the fighters. Moises refuses to see anyone.

Close by in the mission run by the drinking (to avoid making decisions priest) Eugenio (Miguel Gongora, Jr. stands his ground as the tentative priest) thinks that by keeping the doors to the mission locked shut, things will resolve themselves. When a plague hits their little community everything turns upside down. It seems that the children are breaking out in boils and high fever and dying for lack of medical attention.

When the priest approaches Moises the -you what- hits the fan and Moises returns the favor by ignoring the man of the cloth. But things take a turn and the medic actually becomes the healer as he lays hands on the children.

By some miracle the boils disappear and the children live. But when Monica brings her child to be healed, Moises cannot forgive her husband for snatching his wife away, all in his duty for the war effort. It’s then that both men have come to a come to Jesus moment. (No spoilers here).

Zimmerman’s play, along with a strong and committed cast of actors is willing to put it all on the line in this tiny little space. They sing and dance choreographed by Patrick Mayuyu and Robert Malave in spiritual rituals (the town people) that almost dislodge the seriousness of the story about to be told when we first meet up with a raging Moises who takes a hammer to the radio and leaves the stage.


Miguel Gongora, JR. Bernardo Mazon, Jennifer Paredes and Markuz Rodriguez
It is at this time that we meet Monica who dreamily tells us about her husband Luis. He said, “I was his missing ingredient.” Jennifer Paredes gives performance of a lifetime as she moves from young bride to army wife… “Each time his body comes back to me but…it’s like he’s leaving little bits of himself in the field an earlobe here a pinky toe there so when the war ends…I barely have a husband.”

From there, she moves effortlessly to the pleading mother of a feverish child to the helpless wife begging for her child’s life.  The emotional arc she shows is amazing. The chemistry between the two, Paredes and Mazon is noticeably evident.

Mazon’s Luis moves from cocky miner to arrogant soldier to disillusioned civilian who loses everything he dreamed of and more. Sandra Ruiz is a convincing Belen as she too moves from loving wife to concerned accomplice before she is dragged off by the war torn soldier Luis when Eugenio refuses to give her refuge in the mission. She is never seen again; the clinic goes dark and Moises refuses to see patients for over a year.

Jorge Rodriguez is in rare form as the war torn, tormented and degraded medic Moises who is in mourning for his lover, his wife; the one who lured him with the sweet taste of pineapple. His is a world turned upside down first as a gentle healer to one struggling with his loss turned miracle worker turned accuser. All eyes are on his passionate performance, and it pays off. His performance is heartfelt and emotionally wrenching.

Spoils? You name one. War is hell as the saying goes and between Zimmerman, Nell and the Town’s Greek Chorus of four (Markuz, Danielle Levin, Elizabeth Jimenez and Robert Malave) “Seven Spots” leave more than handprints on the sun; it destroys towns, communities and countries. It ravishes good men with good intentions while giving way to dictatorships for, yes, the spoils.

Shaun Tauzon’s set can be a little confusing but the actors make use of every small musical instrument, box, trunk, and corrugated backdrop to be seen. Natalie Cargill designed the lighting and Robert Malave the appropriate costumes.


Elizabeth Jimenez, Jennifer Paredes, Jorge Rodriguez and Danielle Levin
“Seven Spots” is the theatre’s first show of its second season (It’s 90 minutes) and if this level of excellence is indicative of what’s to come, you made a good call by getting out to see it.

See you at the theatre.


Dates: Through Dec. 10th
Organization: InnerMission Productions
Phone: 619-324-8970
Production Type: War Drama
Where: 4545 Park Blvd.  #101, San Diego, 92116
Ticket Prices: $25.00
Web: innermissionproductions.org
Venue: Diversionary Black Box

Photo: Adriana Zuniga-Williams.

InnerMission’s “Seven Spots on The Sun” takes no prisoners.

To the victor, go the spoils.

Ah! But the spoils.

Nothing good here.

No cushy political appointments. No money. No land.

Benefits? None!

Glory? Not so much!

Grief? Enough to go around in Zimmerman’s nameless South American location where the ravages of war have left the town, its people and two couples in complete and devastating ruin.

Martín Zimmerman’s bold and highly disturbing in your face  “Seven Spots on the Sun” is now in an excellent staging at InnerMission Productions. It’s all done under the watchful eye of Carla Nell one of the artistic directors at the tiny blackbox (29 or so seats) space in back of the larger Diversionary Theatre. So Shhhh when you pass by the side of the theatre.

Elizabeth Jimenez, Jennifer Paredes, Jorge Rodriguez and Danielle Levin
“I quickly make up for eighteen months without radio, eighteen months of daily battle with my darkest thoughts. I dance to shake the pain out of every limb to sweat and sweat, till you’ve purged the war from every pore…” The radio. The voice in the radio is announcing the end of the war and amnesty, pardon, absolution to all who committed autocracies during the fighting. 

Not so fast my friends. Amnisty is a fine word, but to those whose lives have been destroyed and ruined and loved ones lost, speak not of amnisty. 

Bernardo Mazon and Jennifer Paredes
War can be an elixir to some. It’s a way out of a boring, oft times dangerous job. It can be a travel agency for some, taking soldiers to places they never before though of. It can give them a lucrative pension after a short stint fighting. At least that’s what Luis (Bernardo Mazón) thought.

He was tired of working in the mines, making little to nothing for his wife Monica (Jennifer Paredes) and any family they might want in the future.  So, with an advance for enlisting, he bought her a washing machine (so she wouldn’t have to use a scrubbing board to wash the clothes) and off he went. In the beginning was all-good. Time away from each other intensified their sex life. 

In another town near by Moises (Jorge Rodriguez) and his adoring wife Belen (Sandra Ruiz), who is a nurse run the small medical clinic where drugs were getting harder and harder to come by. The clinic doors have been locked since Belen was dragged away by one of the fighters. Moises refuses to see anyone.


Jorge Rodriguez and  Sandra Ruiz
Close by the in the mission run by the drinking to avoid making decisions priest, Eugenio (Miguel Gongora, Jr. stands his ground as the tentative priest) thinks that by keeping the doors to the mission locked shut, things will resolve themselves. When a plague hits their little community everything turns upside down. It seems that the children are breaking out in boils and high fever and dying for lack of medical attention.

When the priest approaches Moises the -you what- hits the fan and Moises returns the favor by ignoring the man in the cloth. But things take a turn and the medic actually becomes the healer as he lays hands on the children.

By some miracle the boils disappear and the children live. But when Monica brings her child to be healed, Moises cannot forgive her husband for snatching his wife away, all in his duty for the war effort. It’s then that both men have come to a come to Jesus moment. (No spoilers here).

Zimmerman’s play, along with a strong and committed cast of actors is willing to put it all on the line in this tiny little space. They sing and dance choreographed by Patrick Mayuyu and Robert Malave in spiritual rituals (the town people) that almost dislodge the seriousness of the story about to be told when we first meet up with a raging Moises who takes a hammer to the radio and leaves the stage.

Shortly after we meet Monica who dreamily tells us about her husband Luis. He said, “I was his missing ingredient.” Jennifer Paredes gives performance of a lifetime as she moves from young bride to army wife… “Each time his body comes back to me but…it’s like he’s leaving little bits of himself in the field an earlobe here a pinky toe there so when the war ends…I barely have a husband.”

Miguel Gongora, JR., Bernardo Mazon, Jennifer Paredes and Robert Malave
From there, she moves effortlessly to the pleading mother of a feverish child to the helpless wife begging for her child’s life.  The emotional arc she shows is amazing. The chemistry between the two, Paredes and Mazon is noticeably evident.

Mazon’s Luis moves from cocky miner to arrogant soldier to disillusioned civilian who loses everything he dreamed of and more. Sandra Ruiz is a convincing Belen as she too moves from loving wife to concerned accomplice before she is dragged off by the war torn soldier Luis when Eugenio refuses to give her refuge in the mission. She is never seen again; the clinic goes dark and Moises refuses to see patients for over a year.

Jorge Rodriguez and Bernardo Mazon
Jorge Rodriguez is in rare form as the war torn, tormented and degraded medic Moises who is in mourning for his lover, his wife; the one who lured him with the sweet taste of pineapple. His is a world turned upside down first as a gentle healer to one struggling with his loss turned miracle worker turned accuser. All eyes are on his passionate performance, and it pays off. His performance is heartfelt and emotionally wrenching.

Spoils? You name one. War is hell as the saying goes and between Zimmerman, Nell and the Town’s Greek Chorus of four (Markuz, Danielle Levin, Elizabeth Jimenez and Robert Malave) “Seven Spots” leave more than handprints on the sun; it destroys towns, communities and countries. It ravishes good men with good intentions while giving way to dictatorships for, yes, the spoils.

Shaun Tauzon’s set can be a little confusing but the actors make use of every small musical instrument, box, trunk, and corrugated backdrop to be seen. Natalie Cargill designed the lighting and Robert Malave the appropriate costumes.

“Seven Spots” is the theatre’s first show of its second season (It’s 90 minutes) and if this level of excellence is indicative of what’s to come, you will have made a good call by getting out to see it.

See you at the theatre.


Dates: Through Dec. 10th
Organization: InnerMission Productions
Phone: 619-324-8970
Production Type: War Drama
Where: 4545 Park Blvd.  #101, San Diego, 92116
Ticket Prices: $25.00
Web: innermissionproductions.org
Venue: Diversionary Black Box

Photo: Adriana Zuniga-Williams.

Saturday, December 3, 2016

“Jesus Christ Super Star” in Concert at SDSU.

There are 23 musical numbers in the Andrew Lloyd Weber, Tim Rice rock opera “Jesus Christ Superstar”. There are 28 characters playing important roles in the musical. Combine this with the entire SDSU orchestra, (65) the 2016 SDSU University Chorus (120) and voila! another major production of a mega Broadway smash in concert. "(Overture", Hosanna")

Of note Tug Watson ("Gethsemane")is a powerful Jesus with just the right musical nuances and body language to have at least one follower throughout, Mary Magdalene (a wonderfully sounding  “I Don’t’ Know How To Love Him” Susanna Vaughn).

On the other side of the coin Judas, ( "The Last Supper", “Heaven On Their Minds” Domonique D. Evans) issues the warning note to Jesus not to be too cocky.  Evans has, under most circumstances has what sounds like a very powerful operatic voice. This night however, it was strained as the night wore on. 

Interesting choices by director Stephen Brotebeck to have as the High Priests, (Priestess) Caiaphas and Annas as women sung with pointed accuracy by Katie Banville and Kimberly Moller. ("Juda's Death"). Much admiration to the pair for never leaving character even when seated waiting for their next round of rounding Jesus up. (“This Jesus Must Die”, "Damned For All Time"/ "Blood Money")

Colden Lamb is Herod, mocking and just about stealing the show with “Herod’s Song”, “King Of The Jews”. Well, it is a highlight of the show! Vinh Nguyen is outstanding as Simon Zealots and Jonathan Brugioni (Pilot’s Dream) might have been more engaged.


Jesus Christ Super Star.
Kudos to lead guitarist Nikki Nobleza. What a find. Michael Gerdes directs the orchestra and the amazing lighting design is credited to AJ Paulin. Projections and scenic design belong to Ray Leonard and Production Stage Manager is Aimee-Marie Holland. I know how difficult the work is for the stage manager. Hats Off!

Count me in as an admirer. The school gave us a concert version of “Les Miz” two years ago and it was nothing less than spectacular. This year with full orchestra, full choir, rock ensembles, the scholars at SDSU’s MFA Musical Theatre class of 2018 are at it again. Oft time with the same results, sometimes not so much. The chorus was not that effective, which was a shame.  However the overall take away…run, jog, skateboard or cycle to the Don Powell Theatre and get your high’s from this spectacle.


Sunday’s performance will be interpreted for the hearing impaired.

See you at the theatre.

Dates: Through Dec. 4th
Organization: SDSU
Tickets: $20.00 General admission, $15.00 for students
Production Type: Musical Concert
Where: San Diego State University
Venue: Don Powell Theatre

Photo: SDSU

“Hedwig” crosses the no fly zone, breaking the sound barrier and lands at Civic.

It’s a bird! It’s a plane! No! It’s the John Cameron Mitchell/Stephen Trask rock opera “Hedwig and the Angry Inch”. It crash -landed at the Civic Theatre on the way to completing its national tour after closing here on the 4th. It just about blew out the entire antiquated sound system and ruined my hearing for a day.  OMG! What were they thinking? Even my hearing aids, operating on their own, started vibrating in my purse.(Tim O'Heir)

“Hedwig’ is not for those of queasy stomachs. His/her story, convoluted as it may be is told through the use of projections (Benjamin Pearcy for 59 productions), song and dialogue. You might even be familiar with some: "Tear Me Down", "Sugar Daddy", "Angry Inch", "Wig in a Box", "Wicked Little Town", "The Long Grift", "Hedwig's Lament", Exquisite Corpse". The show runs about 90 minutes with  no intermission. 

The original production of “Hedwig” started in small houses Off- Broadway in 1998 and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. In 2014 the show was remounted taking away a prized Tony for Best Revival of a Musical.

About thirteen years ago the then fledgling Cygnet Theatre that was located where the now Moxie Theatre lives, mounted “Hedwig” to critical acclaim. Even then it was somewhat of an anomaly.

Though not for all, this high-energy evening tells the tale of a sensitive young girl/boy, Hansel Schmidt born in East Germany, longing to be a rock star. He is in search of his other half (“Origin of Love”) only to find his true love in the form of an American soldier, Luther Robinson, who promises to take the boy to the states.

There’s a big IF, however: He must become a She!  The operation is botched during the sex change and the instead of having a vagina, (ready for this one) a one inch surgically stitched mound of flesh is the only remaining sex organ Hedwig has to his name.

Euan Morton is Hedwig

As you might imagine all was not ‘that heaven allowed, Dorothy’ after they landed in Junction City, Kansas. Yes indeed, things go from bad to worse with Luther abandoning Hedwig on their first anniversary.

With text by John Cameron Mitchell and music and lyrics by Steven Trask, the story unfolds with over the top prancing by the high energy Euan Morton (taking over the role for this tour) who is in the drivers seat all the way. Local references and some stand up comedy along with audience participation are meshed together in this mish mash of a show. 

Bring in the frustration and admiration Hedwig deals with in the form the success of Rock Star Tommy Speck a young boy he befriended, idolized and collaborated with in music and lyrics at the beginning of their relationship. Most of what they worked on together made Tommy a great Rock Star, leaving Hedwig only to stand in his shadow and listen to the roars from the stadium on the other side of a sliding door. 

Much of the music I could not understand. But the over the top vibes from the Angry Inch Band (that Hedwig created), the saga continued to the bitter end. Throughout Tommy is much more successful than Hedwig and we know this because we hear the crowds every now and then when the door id opened. 


Hannah Corneauas Ytzhak
The story notwithstanding, Hedwig deconstructs himself (“Hedwig’s Lament”/Exquisite Corpse”) and finds peace with another misfit, Yitzak (a gifted Hannah Morton), his man/woman sidekick who aches to be a woman. (“Midnight Radio”)

I can’t say that all’s well that ends well in this sad little ditty except for the fact that a smaller venue might have improved the entire experience.  

Credit Julian Crouch for the scenic design, Arianne Phillips for the outlandish costumes, gold boots, Kevin Adams, sound and Mike Potter the fabulous wigs.   


See you at the theatre.



Dates: Through Dec. 4th
Organization: Broadway San Diego
Phone: 619-570-1100
Production Type: Musical
Where: Downtown San Diego, 1100 Third Ave.
Ticket Prices: Start at $22.00
Web: broadwaysd.com
Venue: Civic Theatre

Photo: Joan Marcus