Monday, October 24, 2016

Tried and true “Laughter on the 23rd Floor” brings back memories of another era.

Although Neil Simon’s 1993 play “Laughter on the 23rd Floor”, now in a solid production at North Coast Repertory Theatre through Nov. 20th  doesn’t count as part of Simon’s “B B Trilogy” Brighton Beach memoirs”, Biloxi Blues” and Broadway Bound” all of which have been mounted at NCR throughout the years) but it does take the audience back to the days in the early 50’s when Simon was but one of a gaggle of comedy writers for Sid Caesar’s “Your Show of Shows”. Ah yes, I remember it well.

Louis Lotorto,  Brett Alters and Phil Johnson
Simon’s alter ego Lucas (Brett Alters) is once again looking from the outside in, a tactic he uses in many of his plays. He is part narrator and part participant. No less than eight “funny people” gather each day on the 23rd floor of a Manhattan building on 57th Street behind Fifth and Sixth Avenues to write new material, aka jokes, for Caesar’s show (or the fictional Max Prince Show) that airs once a week on NBC. The room itself is called the ‘writers room.’

Marty Burnett designed the fitting set with a picture gallery of stars lining the walls. Everything from water cooler to file cabinets to a blue sofa, a writing table and dart board to blow off steam and a few framed holes in the walls compliments of Max, in fits of anger,  fill the room. Elisa Benzoni designed the period cloths and Matt Novotny the lighting.


Cast of "Laughter on the 23rd Floor"
The original group included comedians the likes of Mel Brooks, Mel Tolkin, Larry Gelbart, Sheldon Keller, Danny Simon, (Neil’s brother) Gary Belkin, Lucille Kellen, Selma Diamond, Tony Webster, Carl Reiner and many others that came and went that I might have missed. Most of the seven involved in this cast are a conglomeration of the real thing.  

As Simon’s words jump off the pages of the script and out of the mouths of the characters in the play, the audience is treated to jokes galore, repartee, banter and gags by the minute along with some evidence of the outside world, seriously, like the Mc Carthy hearings that would eventually put a lid on some of the skits that were bantered about.   

Director Tom Markus choreographs each character with an ear for laughs that the cast delivers with the timing of a well-oiled machine. The team made up of a cross section of Americana, mostly European Jews and Irish make a natural comic sandwich as the two tribes took advantage of their ethnicity to poke fun. Put a few women in the mix, a Russian import and Simon et al have a rather well balanced team to write comedy. 


Omri Schein and Christopher M. Williams
Omri Schein takes Ira (aka Mel brooks) the hypochondriac to the limits making his first entrance with “I can’t breathe. I can’t catch my breath. I think it’s a heart attack. It could be a stroke.” And on he goes trying to conjure up the medicine he takes from one of his cadre of doctors…Zodioprotozoc. “No. Vasco something. Vasco da Dama.”


Nicholas Mongiardo-Cooper plays Val, the mad Russian to perfection and Amanda Sitton is Carol one of the few women on the team who wanted to be known as a writer not a woman writer. Phil Johnson plays Kenny almost as an onlooker or the sane one in the group. Christopher M. Williams is the Brian Irish-American who yearns to make it big in Hollywood, and does in the end.



David Ellenstein
David Ellenstein makes good as Max the funny man who sputters ancient history as a learning lesson to his tribe of comedy writers while putting the fear of God into them if they don’t come through. They are loyal and cow tow to the giant as they worry as much about his habits of taking drugs with a shot of alcohol as thy do about keeping their jobs from week to week. 



Amanda Sitton, Phil Johnson, Brett Alters, Nicholas Mongiardo-Cooper, David Ellenstein and Omri Schein
Luckily the egos in the cast never matched the characters they were portraying as the ensemble was able to bring out the best in each to no ones discredit and it’s funny to boot!

Throughout I was trying to figure out who the characters were as they made their first entrance on to the stage. Two things became clear, Max Prince was the Sid Caesar character and, as mentioned earlier, the rest were a compilation of the funny folks we depended upon for our evening of entertainment. It truly was nostalgic. 

What’s important here is that humor comes in all sizes, colors and flavors and one need not look to far to see it even in us. For this group however, it was an art and they excelled at it.   

“Your Show of Shows” ran for four years from 1950 to 1954. We used to look forward to it like a kid on a thrill ride. As Kenny said, “Maybe we’ll never have this much fun again in our entire lives.”

It’s still a keeper.

See you at the theatre.


Dates: Extended through Nov. 20th
Organization: North Coast Repertory Theatre
Phone: 858-481-1055
Production Type: Comedy
Where: 987 Lomas Santa Fe Drive, Solana Beach, CA 92075
Ticket Prices: Start at $46.00. Senior discounts available
Web: northcoastreo.org

Photo: Aaron Rumley

“God of Carnage” still has cringe value at New Village Arts

N.V.A’s “God of Carnage” by Yasmina Reza, is played out in black and white with splashes of primary colors to liven up the discussion. It is now showing at New Village Arts Theatre through Nov. 13th and it is a nail bitter from start to finish.

Translated from French to English by Christopher Hampton, it was awarded a Tony for ‘Best Play’ in 2000 and to this day elicits reactions that almost mirror our political atmosphere. Looking in at it through tunnel vision, four seemingly intelligent adults get into a cat scratching battle over an altercation between their children.

As the play opens we find ourselves, along with the Raleigh’s, (Manny Fernandes and Kristianne Kurner) in the upscale living room flat of Veronica and Michael Novak. (Melissa Fernandes and Jeffrey Keith Jones). They are smack dab in the middle of a conversation.

Here is what we are privy to:  The Raleigh’s eleven-year-old son Benjamin hit the Novak's son Henry in the face with a stick and ‘broke two incisors, including injury to the nerve in the right incisor’. It all happened in the upscale Cobble Hill Park that is supposed to be a safe haven for children to play. Everything looks and sounds civil.


Kristianne Kurner, Manny Fernandes and Melissa Fernandes
Veronica went to great lengths to provide Alan and Annette Raleigh with the facts of what happened to her son and to ask the Raleigh’s if their son, Benjamin, might apologize. They could meet at their place. After all, says Veronica, “This is the art of co-existence.” Bring the two together, say the mandatory apology and show them the ways of their errors. 

When the Raleigh’s agree that, of course Benjamin ‘has to apologize’, one would think that the matter was settled even though Alan doesn’t seem to think that the children, or at least his son, has yet to master the ‘art’ of co-existence. But they all agreed to a meeting nonetheless.



Manny Fernandes, Kristianne Kurner, Melissa Fernandes and Jeffrey Keith Jones
Small talk follows and a funny thing happens just before the couples part company. All agree that more clarification might be needed.  The Raleigh’s turn back into the living room for more talk. They share a bit of food (clafouti with gingerbread crumbs), coffee and booze.

The discussion takes a turn and branches off into small talk beyond anything having to do with the two eleven year olds (how about hamsters?). Suddenly, an almost civilized meeting turns into street warfare with verbal bombs dropping in the most unlikely of places with the almost complete destruction of everyone’s egos, not to mention the neatly appointed Novak apartment. They will see their beautifully appointed living room turn into a WWIII battleground by plays end.



One knockout punch after the other makes every verbal confrontation an episode. Every episode vibrates. The echoes from those vibrations have enough cringe value to make you squirm or LOL. You pick your weapon. It’s as tragic as it is scathingly funny and the NVA cast makes the most of it.

Both couples seem likeable enough yet would never be destined to become known to each other but for their children’s actions.  Melissa Fernandes’ Veronica is the alpha female of the Novak’s.  She has a book coming out about the tragedy in Darfur and she contributed to a collection on the ‘civilization of Sheba’. Fernandes is on top of her game here as the center of gravity where everything more or less revolves around her.

Michael owns a domestic hardwood store and is deep into plungers, doorknobs and fondue pots (especially around Christmas). Jones plays the laid back easy-going (on the surface), rather pleasant and almost disinterested contestant in this game and for a time goes along with his wife when he suddenly turns ballistic and then…watch out!



Fernandes as Allan Raleigh, a corporate lawyer addicted to his phone, struggles to put out fires for the big pharmaceutical company that he represents, in doo doo with the press. Fernandes looms as larger than life over the others while giving his legalese on the phone. As an active participant in the behavior or misbehavior of his son, he’s not so convinced that he and his wife should be there.

Kristianne Kurner’s Annette appears more baffled and bewildered at being called to such a gathering but willing to go along with the fact that an apology is needed. Unfortunately she turns the Novak living room into a stinking mess after her stomach can’t seem to take the rowdiness she hears in her brain.

She deals in money matters. At times tries to hold things together but literally looses it and throws up over the entire group including her husband. The ‘party’ turns to mayhem. They stare at her in awe and practically fall all over each other trying to clean up the mess she’s left behind. That includes the ruination of one of Veronica’s out of publication books and the destruction of Alan’s cell phone that turns into a bright yellow blob of dripping goop. Once that prop is gone, he too goes gooey.
 
Kristin Flores designed a beautifully coordinated black and white set that is stunning to the eye. Elisa Benzoni designed the black and white outfits on all four to hammer away at the black and white attitudes of them all. This visual sends a powerful statement to the one or the other attitudes so now prevalent without uttering one word. I loved the look.




I read somewhere that the play is “brutally entertaining”. I might add, riotous. Best of all, director Jessica Bird knows how to squeeze, from her excellent cast, the most out of the verbal and non-verbal absurdities that characterize this viciously funny play.

See you at the theatre.


Dates: Through Nov. 13thy
Organization: New Village Arts Theatre 
Phone: 760-433-3245
Production Type: Satire
Where: 2787 State Street Carlsbad Village,
Ticket Prices:
Web: nervillagearts.org

Photo: Shaun Hagen

Wednesday, October 19, 2016

Leapin’ Lizards! “Lizard Boy The Musical” delights in its enterprise.

First there was “Bat Boy The Musical” and now we have “Lizard Boy The Musical”.  Leapin Lizards! What’s next, flying green witches? Oh, that’s right we’ve already done that one too.

We all know it isn’t easy being Green. Just ask Elphaba or Kermit the Frog. But when you’re green and look like a lizard, gay and a kid, it’s enough to make you hide from the world.  When your only contact with the outside is when you ‘come out’ once a year for the annual MonsterFest, a celebration in costume, at Seattle’s famed Crocodile Rock Club, or when you finding yourself speaking to your comic book heroes, you know you need to get a life.

Trevor (Justin Huertas) is just that kid. His is a story of the boy being in the wrong place at the wrong time. Yup, that would be the Mt. St. Helen’s eruption that unleashed a bloody dragon in the form of its ashes on some children in a  Seattle schoolyard. But Trevor, who seemed to get a large dose of it developed green scales (say lizard scales) over his body and even inherited some superhero powers.  

Justin Huertas
This is also a story of someone being ‘the other'. Huerta, a Filipino-American always knew he was different and didn’t really fit in with his white classmates. But according to him the big drama in his life was when he came out to his family and friends and no one wanted to talk to me (metaphorically) because of my skin.” “The idea that heroes look a certain way was really important to me.” “Growing up I realized if I wanted to play superhero, I’d have to create one myself.” “Because of my skin color, I will never play Spider-Man.”

This is Huerta’s take on his life as told by himself. He wrote the book and lyrics, but the 90 min piece, which is also being touted as a collaborative effort in conjunction with his entire team that includes Siren (Kirsten Delohr Helland) the gal in the red slinky, skin -tight outfit who is talent plus, and Cary (William A. Williams.)

Diversionary Theatre now in its 31st season is presenting the California premiere production of “Lizard Boy the Musical”. The show premiered in Seattle and was brought to San Diego almost in its entirety.  Brandon Ivie directs as he did in Seattle. Projection illustrator is Joe Huppert and Ron Logan (fantastic). Lighting designer is Curtis Mueller, sound design Matthew Lescault- Wood (another local).  The set was designed by Ron Logan another local designer.  


William A. Williams and Justin Huertas 
When the show begins Trevor is home alone, lonesome and still bemoaning his last breakup that happened a year ago. He’s sketching his favorite comic book heroes and talking to himself about the nightmare’s he’s having about a rock n roll sexpot. He pushes his app on Grindr and connects with Cary (William A. Williams) another ditz who shows up in his skivvies the first time he and Trevor meet in person.

Things take some time to click for Trevor and Cary but when they go to the Crocodile Club he recognizes the character he’s been sketching almost all his life. Her picture is on the poster along the wall at the club. Trevor obsesses over meeting her and it just happens to be the girl in his dreams, Siren another a victim of the Mount St. Helens eruption with the same bloody dragon.



The Siren
“Dragon Boy the Musical” is just what the doctor ordered if you are of the cool hip super comic Pop culture type looking for some different theatre. But don’t be misled. Huerta’s musical is enterprising and should appeal to all those who follow the comics, “Star Wars” and I’ve been told “Dungeons and Dragons” not to mention a few others.



William A. Williams, Justin Huertas and Kirsten deLohr Helland
I apologize for not being part of the cool set, and being able to have an ah ah moment, but in retrospect it didn’t take away from my amusement by being engaged in the dynamics going on on stage nor in my understanding of the world of ‘the different’.

What I can tell you is that I had a hell time admiring the ingenuity of Huerta’s idea and the talent of the group. Huerta was with the national tour of the Broadway hit “Spring Awakening” playing the cello, which he does in the show as well. In fact all three actors play at least six or seven different instruments including the kazoo and a toy piano. Kirstin deLohr Helland and William A. Williams score high on the talent charts as well.

All three, now in a familiar patter, roll with the script as well as pumping out 16 original tunes, again playing every instrument seen on the set and then some. You’ll love it.


Kirsten deLohr Helland, Justin Huertas and William A. Williams
Diversionary Theatre has gotten into a rhythm of bringing in original plays/musicals with universal appeal including “The Boy Who Danced On Air”, which will be making its Off-Broadway Debut this spring at the June Havoc Theatre. It’s another musical that premiered at Diversionary in May, and has the Diego theatre community singing its praises. Now let’s keep track of ‘Lizard Boy the Musical”.

Way to go to Artistic director Matt M. Morrow for having the foresight to bring us “The Boy Who Danced on Air” and “Lizard Boy the Musical”. Enjoy.

See you at the theatre.


Dates: Through Nov. 6th
Organization: Diversionary Theatre
Phone: 619-220-0097
Production Type: Musical
Where: 4545 Park Blvd. University Heights 92116
Ticket Prices: Start at $15.00
Web: diversionary.org
Venue: Diversionary Theatre
Photo: Simpatika